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about shipping : We send the records from Belgium. We calculate the total weight and we refer to the prices from "La Poste". We always wait to have received the money before sending.
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Price
postage cost not included
postage cost not included
Name of the item (label)
+ short description
+ short description
5 euros
The first and only Kania Tieffer's song in french "Ma Reum" is out ! It comes on a red vinyl and the B face includes 2 extra electro-junk tracks. This record is an island for tortured sounds.
10 euros
The harpsichord player, Antoine Souchaud, remixes sonatas from Domenico Scarlatti (18th century) using sounds of animals, video games, voices, beat boxes... making a nervous but exciting melodic music.
5 euros
This super-energetic duet from Dresden (D) makes electro-pop-garage music that takes off the clothes of the nu-rave-tectonic kids. It's simple and fun, inspired from the curry-wurst anarchy. They just still got it..
5 euros
Welcome Simone, Anemone, Babylone. Deviant twist, freaked rockabilly, inverted r'n'b ? Whatever, it's three tracks to dance to, drink to and have fun with! Crazy electronic-pop by our favorite otter lover for your pleasure only.
5 euros
Agripon de paris: extrait d'une journée d'improvisation. Le chant de l'amour triomphant de bdx: non groupe sans projet. 4 morceaux instrumentaux de folklore aquitain pochette sérigraphiée.
5 euros
Des amis des Poatgers Natures.
5 euros
les baigneurs: enregistré par John Masterson, colline d'Irrissary, 03/2004. Anes et bateaux: enregistré par Â. et B., impasse du Bar-Belé, 04/2004. pochette sérigraphiée
3,5 euros
très très bien à mettre dans une voiture. pochette sérigraphiée.
7 euros
Fusion in Slaughterhaus (Nneon)
Once upon a time, a canoe crashed into the control tower at Hamburg International Airport. Out came a sluggish mass followed by a milksop. With a mouthful of sludge and a mindful of mixed objectives, it hastily made its way through the light shrubbery of the airport runway towards center city . In its rashness avoiding the Paparazzi of Hamburg's local poo rags, a discharge of dross left the blob. Impurities withdrawn from visionary clarity , apathy separated from hopes for the future. The mass and milksop transformed into a spinning centrifuge, from which the very elements were extracted back to their simplest form in a shower of blazing colors. It managed to escape. A few years later in October 2002, Jyrgen Hall [laptop and painting programs] and Sebastian Reier (volcano guitar and utensils) became caught up in a dispute over a praline and as a result, were both severely clobbered. The remaining clump called itself Augsburger T afelconfect . How fitting - a name that suggests a harmless assortment of chocolates without any indication whatsoever to the fact, that under the watch of this very confectionery , an act of violence took place. The clod, Reier/Hall, soon knew how to make the best out of its newly formed collective pile. The tight homo-erotic formation felt good. The chemistry was just right.
Hall, also known as that girl-swinging electroubadour , Gunter Adler , started to make virtual plug connections (but not only) in his modular synthesizers [similarly , but not only] that transformed the control data for digital information into uneasy , polyrhythmic, pretty-as-a-summer-rain staccati. Thusly , he created an array of synchronised switch arrangements, that aesthetically stylizes, in the way of György Ligeti, a number of clocks ticking at dif ferent speeds. After becoming a living switchboard and a stray commuter between possibilities, he decided to strengthen and praise this current state of indecision as a symbol of microscopic life. Hall knew: rest and tranquility are an illusion and underneath lies the rustle of microbes, the screams of the pending, and the crossing of the Rubicon. Foolhardy in his undergarment collection grubbing, he machined the restless guitarplay of Sebastian Reier with this aesthetic. The dance has begun.
Not too long ago, Sebastian Reier , seam-bursting ideasmith and jabberwonder , brought in a breath of fresh air to publisher drone ST ORA, a static, yet with-good-intentions unsurpassed artist shanty that took it upon itself to lead the Cr?me de la Cr?me of the new electronic scene into the golden age. Reier's communication skills were soon demonstrated through his ability to forge the calculated collapse of his unusual guitar sounds, willfully resembling that of Märklin- W aggons destroyed, with the palsied excitement of Jyrgen Hall's digital chain reactions. Rubbing, scrubbing, drubbing and long explosions are Sebastian Reier's specialties. The absence of sedated delays lifts his sound above any post-industrial incense of the early 90's. Here prevails the present, where improvised intervals react with the partner at breakneck speeds, even in the dark.
Confection under Nneon lights Now our lucky alliance, in the meanwhile a trio [baronesseA - videos], has released their first record on their own label, Nneon. Far from prolixity , fusion in the slaughterhaus presents with cinematic charm, an array of short musical anecdotes that get right to the point. The result are pieces that more resemble the aphoristic works of John Zorn than that of electronic/acoustic music, even though the instrumentation is that of the latter . Crashes and angry , aggressive passages alternate with almost romantic overlaps of field recordings. Sounds vary in many timbres and an occasional transient rhythm loop is no exception. Noteworthy is the element of melody inherent in many of the pieces in transfigured form. The song lengths are like pop songs. Some are like titles or jokes turned into music. Ever so seldom do the works of a so-called experimental release have so much character and identity . Rarely does the marriage between an improvised moment and a prearranged cut montage deliver the goodies. The Augsburger T afelconfect of fers not so much sound design, rather more listening art. And if this expression is just as vague - a harmonious assortment of short Super8 audio films by which the projector occasionally falls from the shelf and the film gets tangled. ÑFelix Kubin [translated by Douglas Patton] Slaughterhaus - der Film
Das Augsburger T afelconfect - An audio-visual trio . At A TC concerts, Livia v . Seld, aka baronesseA, presents delightful films told in reverse and loops. As a result, the viewers become castaways on the sea of animation and watch the film sequences to the music. baronesseA achieves a perfect environment for the music and makes up the third eye of Augsburger T afelconfect. Bonbon Appétit ! (text by Felix Kubin)
Once upon a time, a canoe crashed into the control tower at Hamburg International Airport. Out came a sluggish mass followed by a milksop. With a mouthful of sludge and a mindful of mixed objectives, it hastily made its way through the light shrubbery of the airport runway towards center city . In its rashness avoiding the Paparazzi of Hamburg's local poo rags, a discharge of dross left the blob. Impurities withdrawn from visionary clarity , apathy separated from hopes for the future. The mass and milksop transformed into a spinning centrifuge, from which the very elements were extracted back to their simplest form in a shower of blazing colors. It managed to escape. A few years later in October 2002, Jyrgen Hall [laptop and painting programs] and Sebastian Reier (volcano guitar and utensils) became caught up in a dispute over a praline and as a result, were both severely clobbered. The remaining clump called itself Augsburger T afelconfect . How fitting - a name that suggests a harmless assortment of chocolates without any indication whatsoever to the fact, that under the watch of this very confectionery , an act of violence took place. The clod, Reier/Hall, soon knew how to make the best out of its newly formed collective pile. The tight homo-erotic formation felt good. The chemistry was just right.
Hall, also known as that girl-swinging electroubadour , Gunter Adler , started to make virtual plug connections (but not only) in his modular synthesizers [similarly , but not only] that transformed the control data for digital information into uneasy , polyrhythmic, pretty-as-a-summer-rain staccati. Thusly , he created an array of synchronised switch arrangements, that aesthetically stylizes, in the way of György Ligeti, a number of clocks ticking at dif ferent speeds. After becoming a living switchboard and a stray commuter between possibilities, he decided to strengthen and praise this current state of indecision as a symbol of microscopic life. Hall knew: rest and tranquility are an illusion and underneath lies the rustle of microbes, the screams of the pending, and the crossing of the Rubicon. Foolhardy in his undergarment collection grubbing, he machined the restless guitarplay of Sebastian Reier with this aesthetic. The dance has begun.
Not too long ago, Sebastian Reier , seam-bursting ideasmith and jabberwonder , brought in a breath of fresh air to publisher drone ST ORA, a static, yet with-good-intentions unsurpassed artist shanty that took it upon itself to lead the Cr?me de la Cr?me of the new electronic scene into the golden age. Reier's communication skills were soon demonstrated through his ability to forge the calculated collapse of his unusual guitar sounds, willfully resembling that of Märklin- W aggons destroyed, with the palsied excitement of Jyrgen Hall's digital chain reactions. Rubbing, scrubbing, drubbing and long explosions are Sebastian Reier's specialties. The absence of sedated delays lifts his sound above any post-industrial incense of the early 90's. Here prevails the present, where improvised intervals react with the partner at breakneck speeds, even in the dark.
Confection under Nneon lights Now our lucky alliance, in the meanwhile a trio [baronesseA - videos], has released their first record on their own label, Nneon. Far from prolixity , fusion in the slaughterhaus presents with cinematic charm, an array of short musical anecdotes that get right to the point. The result are pieces that more resemble the aphoristic works of John Zorn than that of electronic/acoustic music, even though the instrumentation is that of the latter . Crashes and angry , aggressive passages alternate with almost romantic overlaps of field recordings. Sounds vary in many timbres and an occasional transient rhythm loop is no exception. Noteworthy is the element of melody inherent in many of the pieces in transfigured form. The song lengths are like pop songs. Some are like titles or jokes turned into music. Ever so seldom do the works of a so-called experimental release have so much character and identity . Rarely does the marriage between an improvised moment and a prearranged cut montage deliver the goodies. The Augsburger T afelconfect of fers not so much sound design, rather more listening art. And if this expression is just as vague - a harmonious assortment of short Super8 audio films by which the projector occasionally falls from the shelf and the film gets tangled. ÑFelix Kubin [translated by Douglas Patton] Slaughterhaus - der Film
Das Augsburger T afelconfect - An audio-visual trio . At A TC concerts, Livia v . Seld, aka baronesseA, presents delightful films told in reverse and loops. As a result, the viewers become castaways on the sea of animation and watch the film sequences to the music. baronesseA achieves a perfect environment for the music and makes up the third eye of Augsburger T afelconfect. Bonbon Appétit ! (text by Felix Kubin)
8 euros
Lysistrata (Les Potagers Natures)
Trio de guitare électro-acoustique, entre malicorne et gastr del sol. Pochette sérigraphiée.
Trio de guitare électro-acoustique, entre malicorne et gastr del sol. Pochette sérigraphiée.
5 euros
Now for the oddest and potentially most offputting record of the playlist...
the new 7" by Le Chevalier de Rinchy. Taken in five-second doses, there's nothing
too alienating about it unless you are one of those flag-wavin' idiot Americans
who still orders freedom fries with their burger. But this contrapunctal baroque
tickle-punk alternately flits, minuets, and waltzes out of a different musical
keepsake box every five seconds! It's so decidedly fractured and bizarre,
so very French, and sucking helium and laughing gas. I LOVE IT! But no one
will be lukewarm about this one. Caveat emptor!
5 euros
die christmaskameraden are jonathan meese and tim berresheim, both well-known visual artists from germany. meese has a wide fascination for anything from wagner to stalin, and ezra pound to rasputin. on this 7" they play synth, glockenspiel and sing about father christmas and even have a sort of disco rhythm on the second side, which could be seen as the extended dance remix. 'we are father christmas, you are father christmas' they sing. after the rlw and tietchens, this is certainly much more weirder and way-out then those and is a most curious record indeed. play this for your family on boxing day and disapproval will be your share.
5 euros
Whoa, what the fuck? French outfit that popped up on the recent S-S comp Tete de Bebe lets fly with a five-song single, channeling the kind of stiff, precise mania that made bands like Delta 5, LiliPUT, and Essential Logic great, but with the frenetic drive and intensity of, say, Erase Errata or the Ex. Le Club is a trio with co-ed vocals and virtually no desire to rock in any way, shape or form; instead, they prance about in a fantasy world of cats, dogs, onomatopoeia and truly bent ideas. So weird it almost ends up in Residents territory, but punked out enough to rescue it from nominal interest (can’t say the same for Les Georges Leningrad, which this walks all over). So great, such a strange little record, and I can’t recommend it highly enough. Teenage outcast girls with short hair, in particular, should pay attention. I love France! Headbutt!
5 euros
8 euros
China Gate
15 euros
Abhayamudra
Night after night, on tour across U.S., Canada, Europe, and Scandinavia, DAMO SUZUKI, fiery ex-lead singer of Can, and instrumental rockers CUL DE SAC embarked upon hours-long musical journeys into the unknown.
In superb studio-quality fidelity, this two hours + collection contains some of the most vivid and incandescent of their "instant compositions".
Night after night, on tour across U.S., Canada, Europe, and Scandinavia, DAMO SUZUKI, fiery ex-lead singer of Can, and instrumental rockers CUL DE SAC embarked upon hours-long musical journeys into the unknown.
In superb studio-quality fidelity, this two hours + collection contains some of the most vivid and incandescent of their "instant compositions".
5 euros
Sporelec (Byteburger)
5 euros
Stylodécor (Byteburger)
10 euros
12 euros
Dondolo, de son vrai nom Romain Guerret, pratique une pop cyclothymique, fortement contrastée, passant de brûlots pop-punk hurlés à des comptines électro-pop mélancoliques et ludiques. Chantés aussi bien en Anglais qu’en Français, ces morceaux sont un mélange (une collision ?) d’influences disparates a priori incompatibles (des Buzzcocks à Christophe, en passant par Jacno et Hot Chip…). Pourtant, en équilibriste hors pair, il réussit à faire ce grand écart en retombant sur ses pattes, grâce à une science de l’accroche pop hors norme.
10 euros
Lollipop (Autobus)
21 very catchy electro-pop songs and electronic nursery rhymes - music for children and kidults - from French funny trio ; using vocals, tape collages, space Roland D50, electro-toys, mini-samplers and old synths É, Some children listened to it and really enjoyed these Playskool elektrokitschpop hit tunes, very acclaimed in Japan with their live-shows performance in Tokyo, Kobe, Osaka & Kyoto.É.
21 very catchy electro-pop songs and electronic nursery rhymes - music for children and kidults - from French funny trio ; using vocals, tape collages, space Roland D50, electro-toys, mini-samplers and old synths É, Some children listened to it and really enjoyed these Playskool elektrokitschpop hit tunes, very acclaimed in Japan with their live-shows performance in Tokyo, Kobe, Osaka & Kyoto.É.
10 euros
Tutti Frutti (Autobus)
"tutti frutti" contains 17 tubesques counting rhymes diverted and drawn from the international repertory sung by lore. the whole powdered with some dial tone rock'n'roll garage, strange arrangements, sound toys, samples, loops extracted from old man 45t for children. including some merry resumptions of traditional punk rock'n'roll the such famous "human fly" of cramps, or "jackanory stories" of the tv personnalities."
"tutti frutti" contains 17 tubesques counting rhymes diverted and drawn from the international repertory sung by lore. the whole powdered with some dial tone rock'n'roll garage, strange arrangements, sound toys, samples, loops extracted from old man 45t for children. including some merry resumptions of traditional punk rock'n'roll the such famous "human fly" of cramps, or "jackanory stories" of the tv personnalities."
10 euros
Tutti Frutti (Autobus)
"tutti frutti" contains 17 tubesques counting rhymes diverted and drawn from the international repertory sung by lore. the whole powdered with some dial tone rock'n'roll garage, strange arrangements, sound toys, samples, loops extracted from old man 45t for children. including some merry resumptions of traditional punk rock'n'roll the such famous "human fly" of cramps, or "jackanory stories" of the tv personnalities."
"tutti frutti" contains 17 tubesques counting rhymes diverted and drawn from the international repertory sung by lore. the whole powdered with some dial tone rock'n'roll garage, strange arrangements, sound toys, samples, loops extracted from old man 45t for children. including some merry resumptions of traditional punk rock'n'roll the such famous "human fly" of cramps, or "jackanory stories" of the tv personnalities."
9 euros
5 euros
Un groupe de new york, un peu comme du deerhoof à hawaï
7 euros
Flic Flac No-core sur le Mont Perdu (Les Potagers Natures)
Chansons parisienes à siffloter au printemps, en été, en hiver. Et en automne. Pochette sérigraphiée illustrée par pelpioch.
Chansons parisienes à siffloter au printemps, en été, en hiver. Et en automne. Pochette sérigraphiée illustrée par pelpioch.
10 euros
Un petit air de pomme à poil (Les Potagers Natures)
Chansons parisienes à siffloter au printemps, en été, en hiver. Et en automne.
Chansons parisienes à siffloter au printemps, en été, en hiver. Et en automne.
10 euros
Cacelorazo (Ego Twister)
"ladies and gentleman step into the noisy arena of [guÿôm]'s crazy sound circus... althought the opening track title seems to be a prayer to the calmness, "Digital rock'n roll (1954)" leads you to a deviant dancefloor and makes your head swing to the distorted lead sound and the driving beat. So are "Cart(o)on" and "Anxiously happy" : Donald Duck gives a fuck, because he loves to listen to weirdo beats, dancing even when the walls come down and although the siren howls every night. The party then become a little bit more scary... experimental beats chasing your brain, anticapitalist breakcore mess, [guÿôm] plays with noise until your nose bleeds. "Cacelorazo" invites Elvis to skake his hips to intelligent Industrial, recreates acid without any cheesy retro sound, and gives us just enough musical breaks so we can catch some air."
"ladies and gentleman step into the noisy arena of [guÿôm]'s crazy sound circus... althought the opening track title seems to be a prayer to the calmness, "Digital rock'n roll (1954)" leads you to a deviant dancefloor and makes your head swing to the distorted lead sound and the driving beat. So are "Cart(o)on" and "Anxiously happy" : Donald Duck gives a fuck, because he loves to listen to weirdo beats, dancing even when the walls come down and although the siren howls every night. The party then become a little bit more scary... experimental beats chasing your brain, anticapitalist breakcore mess, [guÿôm] plays with noise until your nose bleeds. "Cacelorazo" invites Elvis to skake his hips to intelligent Industrial, recreates acid without any cheesy retro sound, and gives us just enough musical breaks so we can catch some air."
10 euros
Top Shoks, Souvenirs (Wwilko)
Robotical playful mixture of Broken-roboticComputerElectro-plasticRock. He soundclashes booming sub-basses with twisted analog and booty funk-filled rhythms, punchy polyrhythm frenzy and wild breaks, with ironic and funny sampling works, generated distorted hip-vocals, and some strange countrycrisps harmonies; and you will dance with his Bavarian-Polka style, or Brittany-Waltz (!!); everything is freaky, imagine Kid 606 under spirit or an Eminem transmuted (?), supersmashburner for every deviant dancefloors ... irresitible 11 traxx ... !!!
Robotical playful mixture of Broken-roboticComputerElectro-plasticRock. He soundclashes booming sub-basses with twisted analog and booty funk-filled rhythms, punchy polyrhythm frenzy and wild breaks, with ironic and funny sampling works, generated distorted hip-vocals, and some strange countrycrisps harmonies; and you will dance with his Bavarian-Polka style, or Brittany-Waltz (!!); everything is freaky, imagine Kid 606 under spirit or an Eminem transmuted (?), supersmashburner for every deviant dancefloors ... irresitible 11 traxx ... !!!
5 euros
Aléatoire (self produced)
Noise ! Noise ! Noise !
GS o.7 is Eric Girolimetto from Liège.
Noise ! Noise ! Noise !
GS o.7 is Eric Girolimetto from Liège.
5 euros
DKlé (self produced)
Noise ! Noise ! Noise !
GS o.7 is Eric Girolimetto from Liège.
Noise ! Noise ! Noise !
GS o.7 is Eric Girolimetto from Liège.
5 euros
There's nothing like the festive season to force you to face the fact
that life isn't always as joyful as we're lead to believe.
9 euros
Sum (Pneu)
"Brilliant new wave influenced dark minimal elektro. Sung in German and French with a poetic touch. Original sounding with an authentic feeling !"
"Dans les eaux troubles nage un étrange duo de petits poissons à la recherche des strates de courant qui les mènent au bon plancton. Dans ces eaux opaques des messages électriques crépitent le long de leur ligne latérale et les guident vers ces étincelles réconfortantes que sont les autres petits poissons qui a leur tour font des arabesques dans les eaux sombres. Après, comme la tête leur tourne un peu, ils se mettent à raconter des choses à propos de l’élément dans lequel ils flottent, ils racontent le danger de se faire maltraiter par les plus gros poissons, ils racontent leur confusions et leurs malheurs, leurs carences mais aussi la douceur de leurs rencontres, de leurs échanges et la chaleur des eaux profondes ou ils glissent furtivement à l’abri des grosses machines qui écrasent tout.
Les petits poissons électriques vous proposent quatre chansons où vous retrouverez leurs impressions de l’élément qui les entoure. Pour que d’autres poissons frétillent et envoient de nouveaux messages électriques à travers les eaux troubles."
"Brilliant new wave influenced dark minimal elektro. Sung in German and French with a poetic touch. Original sounding with an authentic feeling !"
"Dans les eaux troubles nage un étrange duo de petits poissons à la recherche des strates de courant qui les mènent au bon plancton. Dans ces eaux opaques des messages électriques crépitent le long de leur ligne latérale et les guident vers ces étincelles réconfortantes que sont les autres petits poissons qui a leur tour font des arabesques dans les eaux sombres. Après, comme la tête leur tourne un peu, ils se mettent à raconter des choses à propos de l’élément dans lequel ils flottent, ils racontent le danger de se faire maltraiter par les plus gros poissons, ils racontent leur confusions et leurs malheurs, leurs carences mais aussi la douceur de leurs rencontres, de leurs échanges et la chaleur des eaux profondes ou ils glissent furtivement à l’abri des grosses machines qui écrasent tout.
Les petits poissons électriques vous proposent quatre chansons où vous retrouverez leurs impressions de l’élément qui les entoure. Pour que d’autres poissons frétillent et envoient de nouveaux messages électriques à travers les eaux troubles."
15 euros
One sided vinyl
B-side etched with words "Culturisme, Atome, Esclavage".
Limited edition
5 euros
Apperentely Jack The Rapper is a sixty some year old guy from
Antwerpen, Belgium, who produced a rather sick record under the name
'Dutroux Rap'. I assume the name Dutroux doesn't need much
explanation. On the a-side, called 'L'Etat', there is the sound of
crying babies and a monotone rhythm over which there is some of
French rap, hard to understand I guess even when French is a language
one masters. The b-side 'Le Trou' is a mere instrumental remix of the
a-side, but now without vocals. Good? Bad? I don't know. I kept on
thinking: where in God's name does Mister Meeuw find people like Jack
The Rapper? Just a question as hard to answer as wether I like this
record or not. File under: sick.
6 euros
Elle m'a dit d'aller siffler Lao sur la colline (Carte Postale)
Des sons captés lors d'un voyage au Laos en 2004 et voilà jumbo jet qui nous livre une vision personnelle et originale d'une forme de world musique flirtant avec l'electronica...
In 2004, jumbo jet went to Laos. He recorded there some sounds and give us now his personal crossover between world music, folk and electronica..
Des sons captés lors d'un voyage au Laos en 2004 et voilà jumbo jet qui nous livre une vision personnelle et originale d'une forme de world musique flirtant avec l'electronica...
In 2004, jumbo jet went to Laos. He recorded there some sounds and give us now his personal crossover between world music, folk and electronica..
5 euros
Welcome Simone, Anemone, Babylone. Deviant twist, freaked rockabilly, inverted r'n'b ? Whatever, it's three tracks to dance to, drink to and have fun with! Crazy electronic-pop by our favorite otter lover for your pleasure only.
5 euros
9 Tracks Against Pornography (self produced)
13 euros
Kania Tieffer is an electro-junk mecanician-musician torturing sounds, keyboards and sometimes guitars, playing songs at home with headphones (because of the neighbours). She, the Otter Lover Tieffer, makes short tracks to make you dance and stop to dance right after. "UHH" is her first album compilating some of her first songs and new exclusive noisy ones. Half electric, half electronic french-albanese Belgian product for your pleasure. Welcome Simone Anemone Babylone.
5 euros
The first and only Kania Tieffer's song in french "Ma Reum" is out ! It comes on a red vinyl and the B face includes 2 extra electro-junk tracks. This record is an island for tortured sounds.
12 euros
Imago (Solnze)
Music on this CD is composed for the MkHAT play IMAGO, written by Maxim Kurochkin with help from Bernard Shaw (it's based on Pygmalion) and directed by Nina Chusova. It's pretty much the usual Oleg Kostrow fare, slightly jazzy, somewhat funny, a bit childish, generally light kind of music. As much as 19 short and sweet tracks, mostly instrumental, mostly combining the nostalgic feel with contemporary technologiesÊ (like that bit where Be same mucho is croaked by a computer).
Music on this CD is composed for the MkHAT play IMAGO, written by Maxim Kurochkin with help from Bernard Shaw (it's based on Pygmalion) and directed by Nina Chusova. It's pretty much the usual Oleg Kostrow fare, slightly jazzy, somewhat funny, a bit childish, generally light kind of music. As much as 19 short and sweet tracks, mostly instrumental, mostly combining the nostalgic feel with contemporary technologiesÊ (like that bit where Be same mucho is croaked by a computer).
5 euros
"this was the first release, in 1997 by a man named felix kubin, before stepping into the world of fame. so riding on this fame it's been re-issued with a new mix of the original b-side. the a-side is indeed a slow, rock-rhythm box pieces, with nicely humming organ lines, a sweet little melody. a quasi eastern-europe feel comes to live in the form of wind blowing over the tundra. and tundra's shaking ahead on the flipside, via a casio rhythm and a more up-tempo song. here to similar eastern europe feelings float by, in what is a very joyful and up-tempo song." (vital weekly) finally re-pressed.
5 euros
Saturday march 1, 2003, saw the opening of helgi thorsson's exhibition at galerie van gelder, amsterdam. the very last track during this alcohol drenched event graces the a-side - felix on organ and ms20, boombastik on vocal, klaus oldanburg and lucile desamory on backing vocals. the flip brings us an eerie studio piece. the cover art for this release is by albert oehlen.
10 euros
Back in Blackweath (Wayne the fat cunt)
Check out this picture disc of our favourite aussie noise hotties. their sluttish behaviour leaves mouths wide open all over the world. take this one to your house to feel the love. featuring a remix by Scorpio Scorpio. only few items in stock! we need more picture discs!
Check out this picture disc of our favourite aussie noise hotties. their sluttish behaviour leaves mouths wide open all over the world. take this one to your house to feel the love. featuring a remix by Scorpio Scorpio. only few items in stock! we need more picture discs!
5,5 euros
Der Lift” b/w “Die Frogg” 7 (Le Vilain Chien)
Another French ingénue from the Le Vilain Chien doghouse, Wasser lays down some highly active,clanging, dissonant noise-dance freakout action, executed with the precise, acute beatdown style of the Ex, Nomeansno, Contortions, or (it’s a stretch) Public Image Ltd. Unforgivingly steep, brutal dance-“punk” of an immediate, raw nature. Both tracks kill it; you need this if any of the above happened to catch your eye.
Another French ingénue from the Le Vilain Chien doghouse, Wasser lays down some highly active,clanging, dissonant noise-dance freakout action, executed with the precise, acute beatdown style of the Ex, Nomeansno, Contortions, or (it’s a stretch) Public Image Ltd. Unforgivingly steep, brutal dance-“punk” of an immediate, raw nature. Both tracks kill it; you need this if any of the above happened to catch your eye.
5 euros
Baikonour, Les Photos (Heroika)
Séquenceur à 8 pas, mélodies minimales, musique répétitive électronique, paysages sonores analogiques étaient les ingrédients du début. L’horizon s’élargit ensuite : chansons, voire chansonnettes au sombre pathos, longues plages instrumentales qui jouent sur ou avec des images d’un autre âge… Lem est un projet d’exploration. Lem est Nicolas Ekla (Ming, Les Brochettes).
Séquenceur à 8 pas, mélodies minimales, musique répétitive électronique, paysages sonores analogiques étaient les ingrédients du début. L’horizon s’élargit ensuite : chansons, voire chansonnettes au sombre pathos, longues plages instrumentales qui jouent sur ou avec des images d’un autre âge… Lem est un projet d’exploration. Lem est Nicolas Ekla (Ming, Les Brochettes).
7 euros
Lunik III (Heroika)
Séquenceur à 8 pas, mélodies minimales, musique répétitive électronique, paysages sonores analogiques étaient les ingrédients du début. L’horizon s’élargit ensuite : chansons, voire chansonnettes au sombre pathos, longues plages instrumentales qui jouent sur ou avec des images d’un autre âge… Lem est un projet d’exploration. Lem est Nicolas Ekla (Ming, Les Brochettes).
Contient une reprise de "Les amoureux solitaires" de LIO.
Séquenceur à 8 pas, mélodies minimales, musique répétitive électronique, paysages sonores analogiques étaient les ingrédients du début. L’horizon s’élargit ensuite : chansons, voire chansonnettes au sombre pathos, longues plages instrumentales qui jouent sur ou avec des images d’un autre âge… Lem est un projet d’exploration. Lem est Nicolas Ekla (Ming, Les Brochettes).
Contient une reprise de "Les amoureux solitaires" de LIO.
10 euros
Ce disque pette la baraque et mérite votre thune plus que vos pieds qui portent des Nike à bulles d'air comme mes pieds a moi aussi parce que les bulles d'air c'est confortable. Il est plein de surprises ce disque et traite de tout pleins de choses de la vie. Parle des amphétamines, de la pédophilie, de Bruxelles dans le temps, de l'odeur de la cramouille de Lady Di, du chomage, des Chupa Chups, du manque d'excitation que procure les musiques de boites, du dégout de l'odeur des vagins, du Roi Albert 2 qui fait chier chaque 21 juillet parce que à cause de lui il n'y a pas un feuilton policier ce jour là, de l'antigel, de la vielle pute de 60 ans qu'on surnomait Sucette et qui avait la réputation de faire les meilleures pipes de tout Nice parce qu'elle n'avait plus de dents; avec des superbes remixs: "Sodomie pour eux aussi" de Nono Futur, "Icebear" de Grauzone, "Willkommen" du film Cabaret, "Titine Martine Tonton Les Nichons" de quand on était p'ti, les mandiants du métro qui font chier les couilles à nous gratter alors que nous on a meme pas des dents en or et que eux ouais ou encore des vieux hits à moi qui ont conquit les coeurs de chacun d'entre nous tous ... et pleins d'autres choses qui feraient chier les dirigeants l'ordre établi que j'encule au passage...
11 euros
Vamp Babes (Solnze)
This time, The Messer Fur Frau Muller boys cannibalize 60s trash horror films and surf music as they construct their newest masterpiece of campy sample pastiche electronica. This is arguably some of the most interesting, and certainly the most fun thing coming out of Russia.
This time, The Messer Fur Frau Muller boys cannibalize 60s trash horror films and surf music as they construct their newest masterpiece of campy sample pastiche electronica. This is arguably some of the most interesting, and certainly the most fun thing coming out of Russia.
12 euros
Miss Libido 2000 (Solnze)
Embracing elements of decadent capitalism that even most Westerners would shy away from, zany Russian lounge mutants Oleg Kostrow and Oleg Gitarkin (who in one form or another are responsible for all of these aliases) play
twangy sci-fi music for people who know that the future actually happened over 40 years ago,was scripted by Ed Wood and illustrated by Eric Stanton while Criswell and the faltering ghost of Bela Lugosi looked on.
Rediscover the Power of the Omni analogue synth,The Man from Planet X and peppy little pop numbers with titles like "The second Advent of Elvis", "The Pornoman","Cannibal Twist" and "Go,Satan,Go!".Above all, marvel at what sounds like Sampled dialogue taken from, say it ain't so, actual Soviet B movies. This is the start of the Leatherette Revolution.
Embracing elements of decadent capitalism that even most Westerners would shy away from, zany Russian lounge mutants Oleg Kostrow and Oleg Gitarkin (who in one form or another are responsible for all of these aliases) play
twangy sci-fi music for people who know that the future actually happened over 40 years ago,was scripted by Ed Wood and illustrated by Eric Stanton while Criswell and the faltering ghost of Bela Lugosi looked on.
Rediscover the Power of the Omni analogue synth,The Man from Planet X and peppy little pop numbers with titles like "The second Advent of Elvis", "The Pornoman","Cannibal Twist" and "Go,Satan,Go!".Above all, marvel at what sounds like Sampled dialogue taken from, say it ain't so, actual Soviet B movies. This is the start of the Leatherette Revolution.
12 euros
Allo, Superman ! (Solnze)
Messer fur Frau Muller is Oleg Gitarkin and Oleg Kostrov - two very interesting and innovative musicians from St. Petersburg. Their music draws on sounds and samples which range from bits of spoken word to operatic vocal snippets to cartoon music, all layered over varying melodies. The word that best describes it would probably be "quirky", but that doesn't even come close to describing the wonderful style of musical strangeness found on this CD.
"Iris 'Kiss Kiss'" basically consists of people meowing and laughing over a background of upbeat cartoon music and sounds. "Cat's Felix First Fix!" (yes, that's really the title) has got to have the strangest mix of samples and music that I've heard in a long time. Salute, Adieu!" sounds like Angelo Badalamenti on happy pills. And it just gets better - and stranger!
I could go on and on about the music, but it's next to impossible to describe what it really sounds like - this is one CD that you just have to hear for yourselves!
I don't know if there are plans for a wider release of the group's CDs (they also have a second CD on this label) but I certainly hope so. Messer fur Frau Muller sounds completely different from anything else you've ever heard, and their music is well worth seeking out.
Messer fur Frau Muller is Oleg Gitarkin and Oleg Kostrov - two very interesting and innovative musicians from St. Petersburg. Their music draws on sounds and samples which range from bits of spoken word to operatic vocal snippets to cartoon music, all layered over varying melodies. The word that best describes it would probably be "quirky", but that doesn't even come close to describing the wonderful style of musical strangeness found on this CD.
"Iris 'Kiss Kiss'" basically consists of people meowing and laughing over a background of upbeat cartoon music and sounds. "Cat's Felix First Fix!" (yes, that's really the title) has got to have the strangest mix of samples and music that I've heard in a long time. Salute, Adieu!" sounds like Angelo Badalamenti on happy pills. And it just gets better - and stranger!
I could go on and on about the music, but it's next to impossible to describe what it really sounds like - this is one CD that you just have to hear for yourselves!
I don't know if there are plans for a wider release of the group's CDs (they also have a second CD on this label) but I certainly hope so. Messer fur Frau Muller sounds completely different from anything else you've ever heard, and their music is well worth seeking out.
11 euros
Second Hand Dreams (Solnze)
Like the missing link between cocktail music and drum 'n' bass, or between Carl Stalling and Manu Chao, Saint Petersburg duo Messer fur Frau Muller (Knife for Frau Muller) makes madcap cartoon music, the kind that might be played on a merry-go-round on Mars. It has a strong beat (even if it does sound suspiciously like electronic flatulence), horns straight out of Raymond Scott, and loads of space-age sound effects. It's music for surfing spies, for bugs banging bongos on the beach, for cartoon coyotes constructing the trap that will get rid of the roadrunner for good - this time for sure. Highly recommended.
Like the missing link between cocktail music and drum 'n' bass, or between Carl Stalling and Manu Chao, Saint Petersburg duo Messer fur Frau Muller (Knife for Frau Muller) makes madcap cartoon music, the kind that might be played on a merry-go-round on Mars. It has a strong beat (even if it does sound suspiciously like electronic flatulence), horns straight out of Raymond Scott, and loads of space-age sound effects. It's music for surfing spies, for bugs banging bongos on the beach, for cartoon coyotes constructing the trap that will get rid of the roadrunner for good - this time for sure. Highly recommended.
10 euros
cfr Les Brochettes.
10 euros
rmxs by b. morgenstern, h. platzgumer, pitchtuner...
Un secret terrible (La Bulle Sonore)
Techno-pop espagnole,
des chansons amusantes et hautes en couleur sur des thèmes aussi effrayants, leur sens de l'humour si particulier, leur sens de la fête et du divertissement sont leur plus grande force. Devant la difficulté à se procurer les singles de LA MONJA ENANA le label français la bulle sonore s'associe à Elefant pour sortir un album-compilation.
7 euros
Music To Hide And Seek (self produced)
7 euros
Unhappy House (self produced)
Jim Avignon aka NEOANGIN veröffentlicht seine neue CD„ unhappy house , zwar ohne Label und Vertrieb, dafür aber mit Releaseparties in Madrid, Berlin, Stockholm und Moskau.
Jim Avignon aka NEOANGIN veröffentlicht seine neue CD„ unhappy house , zwar ohne Label und Vertrieb, dafür aber mit Releaseparties in Madrid, Berlin, Stockholm und Moskau.
13 euros
Scratchbook (self produced)
7 euros
Super Poulex For Ever (Les Potagers Natures)
7 euros
Beast / Schadenfroh (Cochon Records)
10 euros
Fabuleuse Energie Féminine (Purée Noire)
"The mutant freakery of occasional almost gentle ambience, interspersed with the noise of a complete digital mashup ensures the promised mayhem of fusion." Terrorizer Magazine
"Le son est compact, contendant, d'une pesanteur inattendue et délivre avec une inertie maîtrisée un flot impromptu de scories électroniques, effets de samples, extrait de sonorités acoustiques et de voix brisées" Julien Jaffre, Jade web
"The mutant freakery of occasional almost gentle ambience, interspersed with the noise of a complete digital mashup ensures the promised mayhem of fusion." Terrorizer Magazine
"Le son est compact, contendant, d'une pesanteur inattendue et délivre avec une inertie maîtrisée un flot impromptu de scories électroniques, effets de samples, extrait de sonorités acoustiques et de voix brisées" Julien Jaffre, Jade web
6 euros
Culture Steak (Purée Noire)
"Ce nouveau disque (Culture Steak) est beaucoup moins méchant que le premier et ravira les fans de Kid 606, Prefuse 73 et autres fous furieux du laptop, du glintch crunch hop digital fun. Car tout ça au fond, c'est drôle, frais et novateur. Lo-fi aussi, mais ça danse." Rubin Steiner
"Ce nouveau disque (Culture Steak) est beaucoup moins méchant que le premier et ravira les fans de Kid 606, Prefuse 73 et autres fous furieux du laptop, du glintch crunch hop digital fun. Car tout ça au fond, c'est drôle, frais et novateur. Lo-fi aussi, mais ça danse." Rubin Steiner
13 euros
The Adventure Game (Catmobile)
"In the past four years, Claire Broadley has recorded for Irritant, Tigerbeat6 and 555, played live with Kid 606, Chicks On Speed, Le Tigre, Cex and Manitoba, and invited the varied cream of the underground electronic scene to remix her tracks on the 2001 CD 'Reprints'. Her music was recently described as "the logical outcome of Commodore 64s being force-fed down USB cables", and her first full-length, 'The Adventure Game', demonstrates that theory perfectly.
Despite the cautious tones of opener 'Paws', the album almost immediately explodes into the vibrant, technicolour electro-pop of 'Semaphore On The Dancefloor'. It's the Printed Circuit ethic condensed into one song; crafted melodies leading exciting electronic music that can be both intelligent and fun.
This ethic is realised throughout the rest of the album in its many disparate styles, from the tentative beginnings of motorik sensation 'Colacubic' through to the pulsing, rhythmic tones of 'Accent, Voice And Data' and the furious beat-frenzy of album finale 'Binary Jockeys'. Printed Circuit makes a point of only extracting the best from each one, and her love of the three-minute pop song helps keep the wolves of gratuitous indulgence from the door. Alice Kain of London anti-art/ experimental duo Brikolage provides human vocals to 'Switch It On', already garnering praise from dancefloors and DJs. If 'The Adventure Game' were a cake, 'Switch It On' would surely be the cherry on top.
Everything about 'The Adventure Game' has been painstakingly crafted. Amongst a genre that throws out a vast volume of work every year, you should know that when a Printed Circuit record is made, the music is always imbued with love, attention, optimism, blood, sweat and beats. It's electronic, but truly human in its emotion."
"In the past four years, Claire Broadley has recorded for Irritant, Tigerbeat6 and 555, played live with Kid 606, Chicks On Speed, Le Tigre, Cex and Manitoba, and invited the varied cream of the underground electronic scene to remix her tracks on the 2001 CD 'Reprints'. Her music was recently described as "the logical outcome of Commodore 64s being force-fed down USB cables", and her first full-length, 'The Adventure Game', demonstrates that theory perfectly.
Despite the cautious tones of opener 'Paws', the album almost immediately explodes into the vibrant, technicolour electro-pop of 'Semaphore On The Dancefloor'. It's the Printed Circuit ethic condensed into one song; crafted melodies leading exciting electronic music that can be both intelligent and fun.
This ethic is realised throughout the rest of the album in its many disparate styles, from the tentative beginnings of motorik sensation 'Colacubic' through to the pulsing, rhythmic tones of 'Accent, Voice And Data' and the furious beat-frenzy of album finale 'Binary Jockeys'. Printed Circuit makes a point of only extracting the best from each one, and her love of the three-minute pop song helps keep the wolves of gratuitous indulgence from the door. Alice Kain of London anti-art/ experimental duo Brikolage provides human vocals to 'Switch It On', already garnering praise from dancefloors and DJs. If 'The Adventure Game' were a cake, 'Switch It On' would surely be the cherry on top.
Everything about 'The Adventure Game' has been painstakingly crafted. Amongst a genre that throws out a vast volume of work every year, you should know that when a Printed Circuit record is made, the music is always imbued with love, attention, optimism, blood, sweat and beats. It's electronic, but truly human in its emotion."
9 euros
ETW 001!! (Ego Twister)
FIRST RELEASE ON THIS PROMISING LABEL, 6 SHORT TRACKS OF POP AND ELECTRONICA BELN BY EDMUND PRINZ : TWEAKED MELODIC SYNTHESIZER, LO-FI ELECTRONICA COMBINING ELEMENTS OF STUNNING IDM ELECTRONICS WITH PULSING RYTHMS, AMIGA SOUNDS AND OTHER ELECTRO-ISH EFFECTS... A DELIGHTFULL 10INCH ORANGE VINYL COMING WITH A BIG EDMUND BADGE... ENJOYABLE!
FIRST RELEASE ON THIS PROMISING LABEL, 6 SHORT TRACKS OF POP AND ELECTRONICA BELN BY EDMUND PRINZ : TWEAKED MELODIC SYNTHESIZER, LO-FI ELECTRONICA COMBINING ELEMENTS OF STUNNING IDM ELECTRONICS WITH PULSING RYTHMS, AMIGA SOUNDS AND OTHER ELECTRO-ISH EFFECTS... A DELIGHTFULL 10INCH ORANGE VINYL COMING WITH A BIG EDMUND BADGE... ENJOYABLE!
12 euros
Gonki (Bad Taste)
9 euros
Synthetic infantile-feebile-minded insanity in a cube - cheesy
LoFi-Trash goes Kindergeburtstag and the Plastikroboter drink Sake.
Inevitably my thoughts lead to Nobukazu Takemura.
In school he was probably a annoying egghead in
the first row, while the Puyo puyos were sniffing
glue.
Puyo Puyo is also a band member of Les Robots Musiques.
10 euros
The Love & Furry EP (Ego Twister)
This marvellous release is a one sided 10inch black vinyl containing 6 tracks composed by your favourite little robot performer. It features a piece of fur on the central label of side A, which makes it the first record ever that you can caress and cherish like a pet ! An original item to enrich your collection and surprise your friends ! The track list presents some Puyo Puyo live favourites like Disco JØta (the famous finish disco lesson adapted for electro headz) and One Data Too Many (the only song that will cheer you up after another hard drive complete crash), along with never heard before catchy tracks. Another Puyo Puyo refreshing record to discover, after his first ep “A new trick item“ on Felix Kubin's Gagarin records label.
Puyo Puyo is also a band member of Les Robots Musiques.
This marvellous release is a one sided 10inch black vinyl containing 6 tracks composed by your favourite little robot performer. It features a piece of fur on the central label of side A, which makes it the first record ever that you can caress and cherish like a pet ! An original item to enrich your collection and surprise your friends ! The track list presents some Puyo Puyo live favourites like Disco JØta (the famous finish disco lesson adapted for electro headz) and One Data Too Many (the only song that will cheer you up after another hard drive complete crash), along with never heard before catchy tracks. Another Puyo Puyo refreshing record to discover, after his first ep “A new trick item“ on Felix Kubin's Gagarin records label.
Puyo Puyo is also a band member of Les Robots Musiques.
7 euros
Viento Del Este (Les Potagers Natures)
Tango Punk Argentin.
Tango Punk Argentin.
13 euros
Poland's mik.musik agent wojt3k kucharczyk bugged his robotron family. "entertaining physics" is a poetic and secretful electroacoustic work that sounds like a gathering of digital clocks in the waiting room of an abandoned building. mechanical ants are crawling over piles of paper next to protesting copy machines and sadly shaking faxes. quiet industrial diseases spread in the attic and the doors clap in a-synchronicity. in between, interplanetary melodies are humming in retired telephones. all 14 tracks of this record are dedicated to physical phenomena. rythms and sounds collaps and re-construct themselves in a constant modus of transformation and self-reflection.
12 euros
11 euros
Mais d'où viennent tous ces Chinois ? (Anti-Matière)
Self- proclaimed inventors of 'anal-core', Gallic rockers Sun Plexus hate California and nuclear energy. Which is obviously why their latest release is dedicated to the savage splendours of sun worship and all its dazzling cultural facets. Fans of punky drum machine thrashers Metal Urbain, Sun Plexus also have the muscle, as well as the foot pedals, to make an unwholesomely nasty sound. What makes them particularly scary, however, is the adept way they use silence and emptiness to build up the threat. Meanwhile the jarring dynamics whipped up on track like "Amityville" take care of the rest.
Self- proclaimed inventors of 'anal-core', Gallic rockers Sun Plexus hate California and nuclear energy. Which is obviously why their latest release is dedicated to the savage splendours of sun worship and all its dazzling cultural facets. Fans of punky drum machine thrashers Metal Urbain, Sun Plexus also have the muscle, as well as the foot pedals, to make an unwholesomely nasty sound. What makes them particularly scary, however, is the adept way they use silence and emptiness to build up the threat. Meanwhile the jarring dynamics whipped up on track like "Amityville" take care of the rest.
12 euros
Or ou Ferraille ? A quelle Profondeur ? (Ronda)
Depuis plus de 10 ans, Sun Plexus développe ses originaux travaux sonores sous de multiples facettes : concert no-punk, primitifs et décadents, bandes sonores pour films expérimentaux, performances déstabilisantes, voire inquiétantes, musique concrète, installations, collaborations diverses … Les membres de Sun Plexus n’ont aucune ligne de conduite et s’amusent volontiers à brouiller les pistes.
Il en va de même pour leurs production discographique : des disques OVNI au design très soigné et dont l’écoute peut parfois sembler énigmatique ou être une véritable casse-tête chinois pour l’auditeur.
La musique de Sun Plexus se nourrit du magma musical du 20eme siècle et se jette dans le 21e avec un rock étrange et complexe, entraînant l’auditeur à travers un labyrinthe de pistes sonores sous formes d’autoroutes 4 voies, de marécages les nuits de pleine lune, de champs de bataille au petit matin ou de missions scientifiques en apesanteur.
Entre un bruitisme acharné et des compositions réfléchies, Sun Plexus revendique une recherche musicale perpétuelle dans des univers incertains, douteux et jubilatoires, gravitant à des milliards de km des règles imposées.
Depuis plus de 10 ans, Sun Plexus développe ses originaux travaux sonores sous de multiples facettes : concert no-punk, primitifs et décadents, bandes sonores pour films expérimentaux, performances déstabilisantes, voire inquiétantes, musique concrète, installations, collaborations diverses … Les membres de Sun Plexus n’ont aucune ligne de conduite et s’amusent volontiers à brouiller les pistes.
Il en va de même pour leurs production discographique : des disques OVNI au design très soigné et dont l’écoute peut parfois sembler énigmatique ou être une véritable casse-tête chinois pour l’auditeur.
La musique de Sun Plexus se nourrit du magma musical du 20eme siècle et se jette dans le 21e avec un rock étrange et complexe, entraînant l’auditeur à travers un labyrinthe de pistes sonores sous formes d’autoroutes 4 voies, de marécages les nuits de pleine lune, de champs de bataille au petit matin ou de missions scientifiques en apesanteur.
Entre un bruitisme acharné et des compositions réfléchies, Sun Plexus revendique une recherche musicale perpétuelle dans des univers incertains, douteux et jubilatoires, gravitant à des milliards de km des règles imposées.
(special packaging)
7 euros
Commence Par Maman (self produced)
Certains disent que Tante Félipé existe depuis les années 50, écumant salles des fêtes, maisons de retraite et stations thermales, rejouant sans cesse les œuvres de Jean-René Mouchabol. D’autres disent que non, c’est juste un groupe de rock de chambre sans guitare avec de chouettes instruments, noyant free-rock et noise klezmerisée.
Certains disent que Tante Félipé existe depuis les années 50, écumant salles des fêtes, maisons de retraite et stations thermales, rejouant sans cesse les œuvres de Jean-René Mouchabol. D’autres disent que non, c’est juste un groupe de rock de chambre sans guitare avec de chouettes instruments, noyant free-rock et noise klezmerisée.
10 euros
Kania Tieffer asked to some music friends to make a duet (with another friend) about Love & Otters. It contains 30 tracks within Kap Bambino, The Brain, Scorpio Scorpio, Lulu Deluxe, Bruno & Michel are Smilling + Skipperrr, Le club des chats, David Fenech, Junkie Brewster, Jumbo Jet, Melodik Pinpon...
7,5 euros
Ik Was (Pneu)
Tribute to 'ich bin' with kania tieffer against the machine, everybody's jabitudiliki, rhin, dj athome, volapuk, d. trp et les 2a bananas, turbocaine, uwzin
"Ik Was is a tribute to the elektro band Ich Bin (release : We came to reign, earlier on Pneu). Eight totally different artists contributed a track to his cd.
The opening tracks is a crazy lo-fi electronic pop track by Kania Tieffer. Despite its broken structure, the track is very addictive. It is also one of the best tracks on this compilation. Darker and harsher is RHIN. Their track sounds more like the Ich Bin sound. It is a good pounding track for the dancefloor without being a slick dance tune.
Less serious is the contribution of Volapük. The sound of Lalala spring to mind when listening to this track, as well as that of a traditional chanson. Another highlight.
Pneu delivers a nice and at times strange new release. The professional cd-r looks and sounds great. Even better than most "real" cd’s that are released today. One to keep an eye for out."
Tribute to 'ich bin' with kania tieffer against the machine, everybody's jabitudiliki, rhin, dj athome, volapuk, d. trp et les 2a bananas, turbocaine, uwzin
"Ik Was is a tribute to the elektro band Ich Bin (release : We came to reign, earlier on Pneu). Eight totally different artists contributed a track to his cd.
The opening tracks is a crazy lo-fi electronic pop track by Kania Tieffer. Despite its broken structure, the track is very addictive. It is also one of the best tracks on this compilation. Darker and harsher is RHIN. Their track sounds more like the Ich Bin sound. It is a good pounding track for the dancefloor without being a slick dance tune.
Less serious is the contribution of Volapük. The sound of Lalala spring to mind when listening to this track, as well as that of a traditional chanson. Another highlight.
Pneu delivers a nice and at times strange new release. The professional cd-r looks and sounds great. Even better than most "real" cd’s that are released today. One to keep an eye for out."
9 euros
Party Ruiners (Ego Twister)
Never enough of party ruiners or savers, right. This vinyl compilation brings together few like-minded artists who have been around the label Ego Twister since it's beginning in 2004 in Angers, France. Most (or all?) of the artists are a part of the vital French scene of new and sometimes screwed-up electronics, often playing with notions of good and bad taste. Les Robots Musique (that's Puyo Puyo and Rod Droïd), Debmaster, Amnésie, Yvan + Lendl, Vernon LeNoir, [guÿôm], ladyatone and Ergo Phizmiz - they all sound similar to each other, a mish-mash of 8-bit Peoples ideas and aesthetics (which will certainly appeal to fans of the games Bubble Bobble, Wonder Boy and such, as I am) and, of course, a healthy dose of break and hardcore. In a spirit close to their Parisian friends O.Lamm, Hypo and others from the labels Active Suspension and Clapping Music, or as their worldwide friends Kid606 and Venetian Snares. Should be enough to ruin your party, or save it if it's becoming too
conventional for your taste. Vive la France!
One track of Les Robots Musiques.
Never enough of party ruiners or savers, right. This vinyl compilation brings together few like-minded artists who have been around the label Ego Twister since it's beginning in 2004 in Angers, France. Most (or all?) of the artists are a part of the vital French scene of new and sometimes screwed-up electronics, often playing with notions of good and bad taste. Les Robots Musique (that's Puyo Puyo and Rod Droïd), Debmaster, Amnésie, Yvan + Lendl, Vernon LeNoir, [guÿôm], ladyatone and Ergo Phizmiz - they all sound similar to each other, a mish-mash of 8-bit Peoples ideas and aesthetics (which will certainly appeal to fans of the games Bubble Bobble, Wonder Boy and such, as I am) and, of course, a healthy dose of break and hardcore. In a spirit close to their Parisian friends O.Lamm, Hypo and others from the labels Active Suspension and Clapping Music, or as their worldwide friends Kid606 and Venetian Snares. Should be enough to ruin your party, or save it if it's becoming too
conventional for your taste. Vive la France!
One track of Les Robots Musiques.
12 euros
"The idea was to ask some of our favourite sound artists to take part in a compilation . . . and, to our surprise, they accepted. The only concept was that they had to provide a specific / particular / idiosyncratic piece. qualified as a “drone paradise” by lasse marhaug (of jazkamer), the result is a fine and coherent whole, full of extended textures, contrasted acoustic surfaces, subtle and strong.
Idioscapes contains 70 minutes of authentic acoustic researches, with glitches, loops, noises, deep and glittering textures, subliminal frequences and narrative inserts, punctured with sensible musical moments. Idiosyncratics is honoured to present these sound masters on idioscapes.
infinite thanks to all of them." y.f.
With tracks of Janek Schaefer, Keith Fullerton Whitman, Charlemagne Palestine, Steffen Basho Junghans, Idiosyncrasia...
7 euros
4éme création collective (Les Potagers Natures)
5 euros
Compilation Jaune-Orange Vol. 3 (Jaune Orange)
11 euros
Je Suis Un Etranger (Ronda)
Cette compilation rassemble des artistes autour d'un thème commun : les langues parlées. Chaque artiste s'est vu assigné une langue et a travaillé un morceau à partir d'enregistrements de cette langue.
Ce patchwork de cultures produit une étonnate unité et permet de rassembler des artistes aux styles éclectiques (electro, rock, musique concrète,...)
Cette compilation rassemble des artistes autour d'un thème commun : les langues parlées. Chaque artiste s'est vu assigné une langue et a travaillé un morceau à partir d'enregistrements de cette langue.
Ce patchwork de cultures produit une étonnate unité et permet de rassembler des artistes aux styles éclectiques (electro, rock, musique concrète,...)
10 euros
Second part in the fine breakcore/drill'n'bass serie "polymorphic piece" - this time with exclusive track by exillon, somatic responses (praxis), alf, shore, dev/null, mad ep (ad noiseam), lfo demon (sprengstoff), cdatakill (ad noiseam), kirdec and kaebin yield.
10 euros
Third and final part in the drill n' beat/breakcore/hardcore serie "polymorphic piece" with sküge, x&trick, etschaberry, a.l.f., noize creator, ucture, e25 corporate & xanopticon.
6 euros
Classic electro-pop band with no-fi tendances.
13 euros
Edition: 350 copies in schnuckelig screen print cover designed by mik.thesign - polish handcraft in disharmonic order. this is a collection that will appeal mainly to the absent-minded coterie. all the sounds of fun and fear are here. file under vaudioville, varièté concrete, documentary forgery, unsound art, whorespiel, blunderphonics, (not of this) world music, imaginary soundtreks, unimaginative soundtracks, lower case, lower class, lower quality, lower prices hurry hurry now while stocks last!!! mr. vernon is a sound artist, musician and radio producer based in glasgow. he makes soundtracks, installations and live performances as well as releasing recordings of his own work. mr. vernon is one third of the trio 'hassle hound' who have records released on pickled egg, textile and twisted nerve and played extensively throughout the u.k. and in france. a new release is planned on staubgold, berlin.
5 euros
The Message is (Zabel / Matamore)
'The Message Is' scelle la rencontre entre deux groupes instrumentaux et 'militants' à leur manière: les Hollandais de We vs. Death et les Belges de Tom Sweetlove (aujourd'hui Some Tweetlove). Tandis que We vs Death propose un math-rock jouissif et nerveux réhaussé par l'apport d'une trompette, Tom Sweetlove calme le jeu avec une slow-pop content/plaintive et mélancolique du meilleur acabit.
Tom Sweetlove is now called Some Tweetlove
'The Message Is' scelle la rencontre entre deux groupes instrumentaux et 'militants' à leur manière: les Hollandais de We vs. Death et les Belges de Tom Sweetlove (aujourd'hui Some Tweetlove). Tandis que We vs Death propose un math-rock jouissif et nerveux réhaussé par l'apport d'une trompette, Tom Sweetlove calme le jeu avec une slow-pop content/plaintive et mélancolique du meilleur acabit.
Tom Sweetlove is now called Some Tweetlove